All About Scales | Tutorials | General | Scale Mate | ||||||||||||||
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Please note:: Because of limitations in HTML, the flat sign is replaced by the minus(-) sign, and the 'Natural Sign' is replaced by the tilde(~) sign. A help document in Word97 Format is also available on the Installation CD.
| Name | Root | - | - | - | - | - | - | Per 5th | - | Minor | - | - | Octave |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| - | - | - | 9 | - | - | 11 | - | - | - | 13 | - | - | - |
| - | 1 | - | 2 | - | 3 | 4 | - | 5 | - | 6 | - | 7 | 1 |
| - | C | C#/D- | D | D#/E- | E | F | F#/G- | G | G#/A- | A | A#/B- | B | C |
| Major | 1 | - | 2 | - | 3 | 4 | - | 5 | - | 6 | - | 7 | 1 |
| Pure Minor | 1 | - | 2 | #2/-3 | - | 4 | - | 5 | #5/-6 | - | #6/-7 | - | 1 |
| Har. Minor | 1 | - | 2 | #2/-3 | - | 4 | - | 5 | #5/-6 | - | - | 7 | 1 |
| Mel. Minor | 1 | - | 2 | #2/-3 | - | 4 | - | 5 | < | > | < | > | 1 |
| JazzMel.Minor | 1 | - | 2 | #2/-3 | - | 4 | - | 5 | - | 6 | - | 7 | 1 |
| Mixed Minor | 1 | - | 2 | #2/-3 | - | 4 | - | 5 | < | > | - | 7 | 1 |
| Gypsy Minor | 1 | - | 2 | #2/-3 | - | - | #4/-5 | 5 | #5/-6 | - | - | 7 | 1 |
| Ionian | 1 | - | 2 | - | 3 | 4 | - | 5 | - | 6 | - | 7 | 1 |
| Dorian | 1 | - | 2 | #2/-3 | - | 4 | - | 5 | - | 6 | #6/-7 | - | 1 |
| Phrygian | 1 | #1/-2 | - | #2/-3 | - | 4 | - | 5 | #5/-6 | - | #6/-7 | - | 1 |
| Lydian | 1 | - | 2 | - | 3 | - | #4/-5 | 5 | - | 6 | - | 7 | 1 |
| Mixolydian | 1 | - | 2 | - | 3 | 4 | - | 5 | - | 6 | #6/-7 | - | 1 |
| Aeolian | 1 | - | 2 | #2/-3 | - | 4 | - | 5 | #5/-6 | - | #6/-7 | - | 1 |
| Locrian | 1 | #1/-2 | - | #2/-3 | - | 4 | #4/-5 | - | #5/-6 | - | #6/-7 | - | 1 |
| Maj.Penta. | 1 | - | 2 | - | 3 | - | - | 5 | - | 6 | - | - | 1 |
| Min.Penta. | 1 | - | - | #2/-3 | - | 4 | - | 5 | - | - | #6/-7 | - | 1 |
| Blues | 1 | - | - | #2/-3 | - | 4 | #4/-5 | 5 | - | - | #6/-7 | - | 1 |
| Aug.6 Tone | 1 | - | 2 | - | 3 | - | #4/-5 | - | #5/-6 | - | #6/-7 | - | 1 |
| Augmented | 1 | - | - | #2/-3 | 3 | - | - | 5 | #5/-6 | - | - | 7 | 1 |
| (Lyd.) Aug. | 1 | - | 2 | - | 3 | - | #4/-5 | - | #5/-6 | 6 | - | 7 | 1 |
| Aug. Arpegg | 1 | - | - | - | 3 | - | - | - | #5/-6 | - | - | - | 1 |
| Dim. 7th. | 1 | - | 2 | #2/-3 | - | 4 | #4/-5 | - | #5/-6 | 6 | - | 7 | 1 |
| Dim. 8 Tone | 1 | - | 2 | #2/-3 | - | 4 | #4/-5 | - | #5/-6 | 6 | - | 7 | 1 |
| ½ Dim. (Loc.) | 1 | #1/-2 | - | #2/-3 | - | 4 | #4/-5 | - | #5/-6 | - | #6/-7 | - | 1 |
| ½ Dim. (Loc.#2) | 1 | - | 2 | #2/-3 | - | 4 | #4/-5 | - | #5/-6 | - | #6/-7 | - | 1 |
| Dim. W-Tone | 1 | #1/-2 | - | #2/-3 | 3 | - | #4/-5 | - | #5/-6 | - | #6/-7 | - | 1 |
| Diminished | 1 | #1/-2 | - | #2/-3 | 3 | - | #4/-5 | 5 | - | 6 | #6/-7 | - | 1 |
| Dim. 7 Arpegg | 1 | - | - | #2/-3 | - | - | #4/-5 | - | - | 6 | - | - | 1 |
| Chromatic | 1 | #1/-2 | 2 | #2/-3 | 3 | 4 | #4/-5 | 5 | #5/-6 | 6 | #6/-7 | 7 | 1 |
| Whole Tone | 1 | - | 2 | - | 3 | - | #4/-5 | - | #5/-6 | - | #6/-7 | - | 1 |
| W-T Fill-Ins | 1 | - | 2 | - | 3 | - | #4/-5 | 5 | #5/-6 | - | #6/-7 | - | 1 |
| W-T H-T #2 | 1 | #1/-2 | - | #2/-3 | 3 | - | #4/-5 | 5 | - | 6 | #6/-7 | - | 1 |
| Maj. Chroma. | 1 | * | 2 | * | 3 | 4 | > | 5 | < | 6 | * | 7 | 1 |
| Min. Chroma. | 1 | < | 2 | #2/-3 | * | 4 | > | 5 | #5/-6 | * | #6/-7 | * | 1 |
| - | - | - | 9 | - | - | 11 | - | - | - | 13 | - | - | - |
| - | 1 | - | 2 | - | 3 | 4 | - | 5 | - | 6 | - | 7 | 1 |
| - | C | C#/D- | D | D#/E- | E | F | F#/G- | G | G#/A- | A | A#/B- | B | C |
| Ionian | 1 | - | 2 | - | 3 | 4 | - | 5 | - | 6 | - | 7 | 1 |
| Dominant7 | 1 | - | 2 | - | 3 | 4 | - | 5 | - | 6 | #6/-7 | - | 1 |
| Har. Major | 1 | - | 2 | - | 3 | 4 | - | 5 | #5/-6 | - | - | 7 | 1 |
| Lydian Dom. | 1 | - | 2 | - | 3 | - | #4/-5 | 5 | - | 6 | #6/-7 | - | 1 |
| Hindu | 1 | - | 2 | - | 3 | 4 | - | 5 | #5/-6 | - | #6/-7 | - | 1 |
| Maj. Phrygian | 1 | #1/-2 | - | #2/-3 | 3 | 4 | - | 5 | #5/-6 | - | #6/-7 | - | 1 |